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Poetry, arguably, has a grander meaning than perhaps any other terms in English. However, not everyone studies poetry. They all study English. There is a universality to English, and there are international standards to the language. In this context, poets become unacknowledged legislators of the world, and poetry becomes a higher truth. Personally, I assume that there will be not only advantages but also disadvantages of English as global phenomena.
Predominantly, every language and linguistics exist somewhere between arts and science. Beginning at the arts end and finishing at the science end, they can either originate ideas or discover something new in the brain. However, when a specific language becomes also an internationally specific requirement, it can slow down the processes. While English provides an easy form of expression, it somewhat makes it impossible for its users to interpret other natives’ poems and develop skills of reading minds and influencing people. It makes it difficult for them to understand the relationships between language and meaning and between literature and culture.
Uniquely, language is involved in the learning process, from thinking to reasoning to solving problems, and at its best, it develops science. However, when English limits the global use of other languages, it can also limit intuition and leave many people susceptible to bias and error. Then, they cannot exercise all the powers of human intelligence. Actually, when more languages are involved in developing science, it is possible to ask the right questions and see things from a completely new perspective. These abilities are important because they can help science make progress and establish the environments that suit human beings and their world.
To briefly paraphrase, English is the one and only global language, not one of many, and thus has the limit of words and expressions in the context of arts and science. With a language, human memory actually works, and humans can read a poem, and with more languages, they can learn more in life, while maintaining relationships with material reality and nonrepresentational aesthetics. |